Sarah de Leon (b. 1996)

Birthplace:
San Diego, California, USA

Born:
February 16, 1996

Sarah de Leon is a writer, producer, and talent manager currently working at Citizen Skull Productions and 13 Paces. She was born in San Diego, California. She attended Mt. Carmel High School where she was highly involved in the performing arts. Her success in writing one-act plays and love for television inspired her to learn how to translate her talents to the screen. In 2018 Sarah graduated from Dodge College of Film & Media Arts with a BA in screenwriting and a minor in television production. While in school, she wrote/co-wrote four completed short films that have received awards for "Best Dramedy" and "Best Narrative Short Film."  Through a love of helping others and a passion for storytelling, Sarah taught herself how to produce and since 2015 has successfully teamed up with directors and writers to produce two limited web series, two short films, three television pilots, and two independent movies. After a year working as an executive assistant at SMS Talent, Inc., Sarah is now employed at Citizen Skull Productions where she works as a talent manager and 13 Paces Production Company alongside president and filmmaker, Anthony Nardolillo.

Additional information:

The Search Form


Producer:
2023  Stay With Me

Writer:
2017  Brutal Affairs
2023  Stay With Me

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.