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Francisco Cavazos

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Film Production

Adaptation:
1982  Burdel
1982  La pulquería 2
1984  Macho que ladra no muerde
1988  Dos machos que ladran no muerden
1988  Los plomeros y las ficheras
1990  Dos camioneros con suerte
1990  El inocente y las pecadoras

Screenplay:
1974  Santo and Blue Demon vs. Dr. Frankenstein
1975  Bellas de noche (Las ficheras)
1982  Burdel
1982  La pulquería 2
1984  Macho que ladra no muerde
1988  Dos machos que ladran no muerden
1988  Los plomeros y las ficheras
1990  Dos camioneros con suerte
1990  El inocente y las pecadoras

Screenstory:
1974  Las adorables mujercitas
1974  Santo and Blue Demon vs. Dr. Frankenstein
1975  Bellas de noche (Las ficheras)
1982  Burdel
1982  La pulquería 2
1984  Macho que ladra no muerde
1988  Dos machos que ladran no muerden
1988  Los plomeros y las ficheras
1990  Dos camioneros con suerte
1990  El inocente y las pecadoras

Story:
1974  Las adorables mujercitas
1974  Santo and Blue Demon vs. Dr. Frankenstein
1975  Bellas de noche (Las ficheras)
1978  Noches de Cabaret: Las Reinas del Talón
1982  Burdel
1982  La pulquería 2
1984  Macho que ladra no muerde
1988  Dos machos que ladran no muerden
1988  Los plomeros y las ficheras
1990  Dos camioneros con suerte
1990  El inocente y las pecadoras

Writer:
1974  Las adorables mujercitas
1974  Mi amorcito de Suecia
1974  Santo and Blue Demon vs. Dr. Frankenstein
1974  The Vengeance of the Crying Woman
1975  Bellas de noche (Las ficheras)
1976  Nos reimos de la migra (Destrampados y mojados)
1977  Las ficheras (Bellas de noche II)
1978  Noches de Cabaret: Las Reinas del Talón
1979  Muñecas de medianoche
1979  The Loving Ones
1980  Las Tentadoras
1982  Burdel
1982  La pulquería 2
1983  Las Modelos de Desnudos
1984  Macho que ladra no muerde
1985  La Pulquería Ataca de Nuevo
1986  Esta noche cena Pancho
1986  Huele a gas
1988  Dos machos que ladran no muerden
1988  Los plomeros y las ficheras
1989  La corneta de mi general
1990  Dos camioneros con suerte
1990  El inocente y las pecadoras

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.