Paul Stannering

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ADR Mixer:
2022  National Theatre Live: The Book of Dust — La Belle Sauvage

Dialogue Editor:
2018  National Theatre Live: Antony & Cleopatra
2022  National Theatre Live: The Book of Dust — La Belle Sauvage
2024  National Theatre Live: Dear England

Sound Mixer:
2013  National Theatre Live: Macbeth
2013  National Theatre Live: The Audience
2014  National Theatre Live: A Streetcar Named Desire
2014  National Theatre Live: Medea
2014  National Theatre Live: Skylight
2014  National Theatre Live: War Horse
2015  National Theatre Live: Hamlet
2015  National Theatre Live: Man and Superman
2016  National Theatre Live: Les Liaisons Dangereuses
2016  National Theatre Live: No Man's Land
2016  National Theatre Live: The Threepenny Opera
2017  National Theatre Live: Amadeus
2017  National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf?
2017  National Theatre Live: Follies
2017  National Theatre Live: Hedda Gabler
2017  National Theatre Live: Rosencrantz & Guildenstern Are Dead
2017  National Theatre Live: Saint Joan
2018  National Theatre Live: Antony & Cleopatra
2022  National Theatre Live: The Book of Dust — La Belle Sauvage
2024  National Theatre Live: Dear England

Sound Supervisor:
2013  National Theatre Live: Macbeth
2013  National Theatre Live: The Audience
2014  National Theatre Live: A Streetcar Named Desire
2014  National Theatre Live: Medea
2014  National Theatre Live: Skylight
2014  National Theatre Live: War Horse
2015  National Theatre Live: Hamlet
2015  National Theatre Live: Man and Superman
2016  National Theatre Live: Les Liaisons Dangereuses
2016  National Theatre Live: No Man's Land
2016  National Theatre Live: The Threepenny Opera
2017  National Theatre Live: Amadeus
2017  National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf?
2017  National Theatre Live: Follies
2017  National Theatre Live: Hedda Gabler
2017  National Theatre Live: Rosencrantz & Guildenstern Are Dead
2017  National Theatre Live: Saint Joan
2018  National Theatre Live: Antony & Cleopatra
2021  The Show Must Go On! - Live at the Palace Theatre
2022  National Theatre Live: The Book of Dust — La Belle Sauvage
2024  National Theatre Live: Dear England

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.