Maro Chermayeff

Gallery Unavailable

Birthplace:
New York City, New York, USA

Emmy- and Peabody-winning documentary filmmaker.

Additional information:

The Search Form


Co-Director:
2019  Tightrope: Americans Reaching for Hope

Director:
2011  Mann v. Ford
2012  Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2015  A Path Appears
2019  Tightrope: Americans Reaching for Hope
2020  The Inn at Little Washington: A Delicious Documentary

Editor:
1991  Homes Apart: Korea
1991  No Telling (Or, The Frankenstein Complex)
2011  Mann v. Ford
2012  Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2015  A Path Appears
2019  Tightrope: Americans Reaching for Hope
2020  The Inn at Little Washington: A Delicious Documentary

Executive Producer:
1991  Homes Apart: Korea
1991  No Telling (Or, The Frankenstein Complex)
2011  Mann v. Ford
2012  Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2014  Kehinde Wiley: An Economy of Grace
2015  A Path Appears
2019  Tightrope: Americans Reaching for Hope
2020  The Inn at Little Washington: A Delicious Documentary

Producer:
1991  Homes Apart: Korea
1991  No Telling (Or, The Frankenstein Complex)
2008  Another Day In Paradise
2011  Mann v. Ford
2012  Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2012  Marina Abramović: The Artist Is Present
2014  Kehinde Wiley: An Economy of Grace
2015  A Path Appears
2017  Sky and Ground
2019  Tightrope: Americans Reaching for Hope
2020  The Inn at Little Washington: A Delicious Documentary

Writer:
1991  Homes Apart: Korea
1991  No Telling (Or, The Frankenstein Complex)
2008  Another Day In Paradise
2011  Mann v. Ford
2012  Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2012  Marina Abramović: The Artist Is Present
2014  Kehinde Wiley: An Economy of Grace
2015  A Path Appears
2017  Sky and Ground
2019  Tightrope: Americans Reaching for Hope
2020  The Inn at Little Washington: A Delicious Documentary

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.