A work in constant progress (and occasional regress).
Alias:
うさだ ぺこら
兎田ぺこら
Birthplace:
Pekoland
Born:
January 12, 2019
"Hiya-peko! Hiya-peko! Hiya-pekooo! I'm Usada Pekora, peko!" "A lonely rabbit-eared girl who loves carrots. She loves them so much that she always brings a few anywhere she goes." A young and hip rabbit from Pekoland that appends "peko" at the end of her sentences. Part of the 3rd generation, Hololive Fantasy, she is eternally 111 years old (increments by 0.0000….1 every year). The conversion from Pekoland years to human years frequently changes depending on her mood. In the beginning, Pekora mentioned that when converted, it roughly equals late teens and early twenties; however, during her loli stream, she established that she was 3 years old (1 + 1 + 1 = 3 years old), and has continued to use that conversion method since.[6] Known for her chaotic personality and motormouth pace, she's quickly become one of the most well-known members of Hololive. The carrots she has in her hair are raised in her family's farm. She wears them both as a fashion and snack. Although it is difficult to see, under the white dress is a bunny girl outfit. Not only is showing full body rare, she rarely shows full upper body, so seeing anything else is rare during the stream. Her scarf is a living being called Don-chan, which is always with her. When she's upset, her right ear folds. When she plays horror games, it's permanently folded. Her ears are not detachable. According to Pekora, the reason why she has 4 ears (2 human, 2 rabbit) is because "humans like something resembling them, so to help me blend in, mom gave them to me." However, she gave one pair of her rabbit ears to Kiryu Coco on her birthday, claiming it'll grow back quickly. Additionally, her tail is hidden in the idol costume because she put it inside her spats
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.