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Emma Fariñas

Birthplace:
Toulouse, France

Biography from TheMovieDB

Born in 1982 in Toulouse, Emma Fariñas graduated with a degree in cinema from Paris 8 and FAMU in Prague, a BTS Audiovisual option Image and a degree in Spanish literature from the University of Toulouse – Jean Jaures. Since 2006, she alternates between the profession of producer and that of director of documentaries. She accompanies authors in the writing and production of their films through various structures and collectives (Courte Echelle Prod, Les Zooms Verts, for example). She also tries to find in her own creations the fairest way to tell the real "The mechanographs of Mexico" in 2006, "The value of objects" in 2013 and "Instants seized" in 2015. Following the workshop of documentary writing that she followed at the Ateliers Varan in 2014, she directed "Who remembers the olive trees?". In 2020 she became known for "Aquí y allí".

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Additional information:

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Film Performances

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Film Production

Archival Footage Research:
2020  Aquí y allí: journal d'une exilée

Art Direction:
2020  Aquí y allí: journal d'une exilée

Director:
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée

Production Assistant:
2012  Eleonore: The Masked Vengeance
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée

Production Director:
2012  Eleonore: The Masked Vengeance
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée
2020  Gagarine

Production Secretary:
2012  Eleonore: The Masked Vengeance
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée
2020  Gagarine
2020  Two of Us

Researcher:
2012  Eleonore: The Masked Vengeance
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée
2020  Gagarine
2020  Two of Us

Writer:
2012  Eleonore: The Masked Vengeance
2015  Instants saisis
2017  Cuando se fueron los olivos
2020  Aquí y allí: journal d'une exilée
2020  Gagarine
2020  Two of Us

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.