A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Brazilian musician, composer, visual artist and filmmaker born in central São Paulo. Has acclaimed music works under the name Babe, Terror. Has been active in Brazilian film criticism (Folha de S. Paulo, Kleber Mendonça Filho's Cinemascópio, Contracampo, Paisá) in the 1990s and early 2000s. Makes, in his own words, "garage cinema" and "phantom bedroom music" since 2007. Started for real with short "Planalto Rhonda". Then made 2 features in a row, "Os Pólos" and "A Princesa de Rangoon". Has an interest in "secret archives", the "cinema as a platform for music and vice versa", likes the "mixtures that don't have much reason, but lead to strange portals"; says he makes music and movies "for the mystique of uncertainty". --Marjorie Maccard
Cinematography:
2022 The Poles
Director:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Director of Photography:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Editor:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Music:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Music Producer:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Original Music Composer:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Researcher:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Writer:
2020 Rhonda Highlands
2021 The Rangoon Princess
2022 The Poles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.