A work in constant progress (and occasional regress).
Jacqueline Pereda is a writer, producer, and comedian who is passionate about creating comedy that comments on the culture and our universal struggle with identity. Most recently Jacqueline wrote, directed and produced her half-hour comedic pilot, Generation Por qué? starring Andrea Burns (Westside Story, In the Heights) after the short form web-series was a Finalist for the 2017 Sundance New Voices Lab. This year, Generation Por qué? was also chosen as an official selection for SeriesFest, Women In Comedy Festival and the LA Comedy Festival. Her full-length play, A Visitor's Pass on the Virgin Mary was awarded the 2019 Residency at the New York's Governor Island's Arts Center through Hypokrit Theater Company. Her comedy has appeared on TruTV, Funny or Die, Mas Mejor, WhoHaha, Comedycake, Brown Girl Magazine, and at the Brooklyn Comedy Festival. She also wrote, produced and directed the satirical news show, The Ethnically Ambiguous News Hour, that aired weekly on her YouTube channel for one season. She has written, directed and produced over 20 comedic shorts and musical parodies in NYC and on her YouTube channel and is an alum of the UCB sketch program. As the child of Cuban immigrants, Jacqueline spends most of her time explaining to her parents that Uber is not pronounced “You-ber” and that working from home is not “surfing the internet in your pajamas.” She is also a proud Zumba Instructor and can literally not stop making Zumba choreography to every song she hears.
Associate Producer:
2019 Bite Me
Director:
2019 Bite Me
2021 Generation Why?
Executive Producer:
2019 Bite Me
2021 Generation Why?
Writer:
2019 Bite Me
2021 Generation Why?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.