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Stéphanie Roland

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Biography from TheMovieDB

Stéphanie Roland is a belgian / micronesian visual artist and filmmaker who studied media arts at the ENSAV - La Cambre (Brussels) and at UDK - Universität der Künste (Berlin), in Hito Steyerl and Thomas Arslan’s class. She regularly gives talks about her practice; among others, she was TEDx Brussels speaker in 2018. She's now artist at Le Fresnoy - Studio National des Arts Contemporains, producing new projects.  Her work is regularly shown at international level. Her projects have been included in exhibitions from major institutions including Louvre Museum (FR), Benaki Museum (GR), Botanique (BE), Kampala International Art Biennale (UG), Bozar (BE) and Wiels (BE). Breda Photo (NL), Belfast Photo festival (IE), Manifesto (FR), Encontros da Imagem (PO), BIP Liège (BE), MOPLA (US), Unseen (NL) and Rencontres Internationales Paris / Berlin are amongst the festivals dedicated to Photography and Films in which she took part. In 2017, she was selected in the group exhibition of the Antarctica Pavilion for the 57th Venice Biennale.  She won an impressive number of prizes and grants, notably the grant of the Vocatio foundation, the Médiatine award and the Full Contact award at the SCAN Tarragona international festival of photography. She was shortlisted for the HSBC Photography Award, the Leica Oskar Barnack Award, the Vevey International Photography Award, the Salomon foundation award, BMW Residency Award and the Prix Jeunes artistes of Fédération Wallonie-Bruxelles.

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Film Performances

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Film Production

Catering:
2020  Nina and the Robots

Director:
2020  Nina and the Robots
2020  Podesta Island
2022  The Empty Sphere

Writer:
2020  Nina and the Robots
2020  Podesta Island
2022  The Empty Sphere

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.