A work in constant progress (and occasional regress).
Assistant Editor:
2016 Frauen
2016 Spuren der Rache
Editor:
2014 West Side Berlin
2016 Frauen
2016 Spuren der Rache
2018 Dr. Böhmermanns Struwwelpeter
2021 Carolin Kebekus: The Last Christmas Special
2022 Carolin Kebekus und das DCKS Festival. Frauen auf die Main Stage!
2022 Kurzschluss
2024 Ein Traum von Revolution
Finance:
2014 West Side Berlin
2016 Frauen
2016 Spuren der Rache
2018 Dr. Böhmermanns Struwwelpeter
2021 Carolin Kebekus: The Last Christmas Special
2022 Carolin Kebekus und das DCKS Festival. Frauen auf die Main Stage!
2022 Kurzschluss
2024 Ein Traum von Revolution
2024 From a Distance
VFX Editor:
2014 West Side Berlin
2016 Frauen
2016 Spuren der Rache
2018 Dr. Böhmermanns Struwwelpeter
2021 Carolin Kebekus: The Last Christmas Special
2022 Carolin Kebekus und das DCKS Festival. Frauen auf die Main Stage!
2022 Kurzschluss
2023 Eldorado: Everything the Nazis Hate
2024 Ein Traum von Revolution
2024 From a Distance
2025 Pumuckl und das grosse Missverständnis
Assistant Editor:
2019 How to Sell Drugs Online (Fast)
Editor:
2013 Neo Magazin Royale
2016 Schulz & Böhmermann
2017 Kroymann
2018 Lass dich überwachen! – Die PRISM IS A DANCER Show
2019 How to Sell Drugs Online (Fast)
2020 Die Carolin Kebekus Show
2020 Drinnen - Im Internet sind alle gleich
2020 How To Tatort
2021 Lu von Loser
2021 MaiThink X – Die Show
2021 Start the fck up
VFX Editor:
2013 Neo Magazin Royale
2016 Schulz & Böhmermann
2017 Kroymann
2018 Lass dich überwachen! – Die PRISM IS A DANCER Show
2019 How to Sell Drugs Online (Fast)
2020 Die Carolin Kebekus Show
2020 Drinnen - Im Internet sind alle gleich
2020 How To Tatort
2021 Lu von Loser
2021 MaiThink X – Die Show
2021 Start the fck up
2024 The Signal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.