A work in constant progress (and occasional regress).
Birthplace:
Manchester, England, UK
Born:
January 1, 1956
Stephen Robert Dixon (born 1956 in Manchester, England) is a British actor and academic. He studied performing arts at the Victoria University of Manchester, graduating in the same class as Rik Mayall. He worked as an actor for many years, taking minor roles in films like Privates on Parade and on television shows including The Young Ones and The Krypton Factor. For three years in the early 1980s he began working as a stand-up comic at The Comedy Store in London. He also worked in theatre, most notably with directors such as Nicholas Hytner, Steven Berkoff and Richard Eyre as well as working with experimental theatre companies Incubus and Lumiere & Son. He has directed productions himself in Mexico, Latvia and the UK, and produced an opera for the theatre company Opera North. Dixon has also directed five independent films which include large-scale movies produced through community texts. He also won an Industrial Society directing award for corporate video. He has also been the Director of Training for Glasgow Film and Video Workshop. Dixon has directed television programmes for Anglia and Granada Television, where he also produced an arts series. In 1984 Dixon appeared on Coronation Street as a taxi driver escorting the long serving character Elsie Tanner out of Weatherfield after 24 years on the show and 45 years on the street. He turned to lecturing during the 1990s, and has since become a noted academic in the field of performing arts. Originally working at the University of Salford, he has since moved to Brunel University in London, where he was head of the School of Arts, and later from 2008 one of the university's Pro-Vice-Chancellors. One of his main publications is the book on Digital Performance published by MIT Press.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.