Home

Eric Ulloa

Biography from TheMovieDB

Eric Ulloa is a 2020 American Theatre Wing Jonathan Larson Grant Finalist and a 2020 Kleban Prize Award Finalist. Eric is the author of 26 Pebbles, which had its world premiere at The Human Race Theatre Company. The play was featured in American Theatre Magazine, The NY Times and won the Kennedy Center Citizen Artist Award for 2017. 26 Pebbles was named one of the Top Ten Plays of 2017 by Samuel French and one of the top produced plays nationally of 2018. Eric is the librettist of the musical, Passing Through, which had its World Premiere at Goodspeed Musicals in Summer 2019. Eric is the writing assistant to Oscar Winner Alex Dinelaris on his upcoming screen adaptation of Frank Wildhorn and Leslie Bricusse’s Jekyll and Hyde: The Musical. Eric wrote the Viva Broadway: Hear Our Voices special, writing for such luminaries as Lin Manuel Miranda, Antonio Banderas, Chita Rivera and many more. Eric is the author of the play Reindeer Sessions. Eric is the co-creator of Meet the Alpha Beats for Nickelodeon Noggin. On the other side of the footlights, Eric was in the Original Broadway Company of On Your Feet: The Story of Gloria and Emilio Estefan. Eric has appeared on The 2016 Tony Awards, The Macy’s Thanksgiving Day Parade and A Capital Fourth.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Co-Producer:
2023  The Nana Project

Writer:
2021  Passing Through
2023  Mikey’s Army
2023  The Nana Project

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.