Gemia Foo

Alias:
符玮玲

Birthplace:
Singapore

Gemia Foo is an exceptionally talented actress popularly known for her leading and supporting roles in films, TV, theatre, and voice credits. Fueled by her passion to humanize real-life stories, Gemia has a way of bringing her characters to life that has made her a favorite among casting agents, directors, and producers.  In 2008, Gemia scored her first comedy role in the two-season TV series, ‘My Classmate, Dad’, where she played the lead character alongside famous Golden Horse Award nominee, Mark Lee. Gemia was also featured in Apprentice, a Singaporean film that won many prestigious awards in the film industry.  Gemia Foo is a passionate advocate for mental health. Her lead role in Mama (2021) film has brought crucial awareness towards the mental and emotional plight of caregivers. Gemia is regularly cast in “Talking It Out”, a play festival organized to raise funds for National Alliance on Mental Illness. She played several outstanding leads in this festival that was held at the Dramatists Guild Foundation in New York City.  Gemia is a scholarship graduate from LASALLE College of the Arts, having majored in Drama. She has also trained with Emmy Award-winning Casting Director, Judy Henderson, in a film/TV acting course. Gemia’s other TV credits include Code of Law, HBO’s Invisible Stories and This Land is Mine. Her special skills include voice acting, singing, playing the alto horn, running conversations in Mandarin, and emulating multiple accents.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.