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Jorge Arzac

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Alias:
Jorge Arturo Arzac

Biography from TheMovieDB

Jorge Arzac is a Mexican-American filmmaker. In 2012, Jorge received a BFA in Cinematography at the School of Visual Arts in New York City. That same year he produced and directed a 78-page script in Mexico City. The film, 'Los Medios de Intercambio', about a lonely security guard working the night shift at a parking garage, has since earned him several awards including Best Film, Best Director, and Outstanding Achievement in Editing at numerous film festivals. He has been involved with myriad projects, from producing and directing Adidas commercials to filming the historic separation of infant conjoined twins. He has also shot several music videos and worked on the lighting team for bands like Interpol and Carly Rae Jepsen.

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Film Production

Director of Photography:
2018  Horizon
2018  Knights In Newark
2020  CASHED
2020  High Score

Editor:
2018  Horizon
2018  Knights In Newark
2020  CASHED
2020  High Score

Gaffer:
2016  Underwater
2018  Horizon
2018  Knights In Newark
2020  CASHED
2020  High Score

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.