A work in constant progress (and occasional regress).
Alicia Diaz is a visual artist who works with a variety of mediums. Though well travelled, she spent her formative years in San Antonio before eventually making Atlanta her home. Her art has been exhibited extensively throughout the United States, including The Senator John Heinz History Centre (the only Smithsonian-affiliated museum outside of Washington, D.C.) and The National Aviary. Ms. Diaz has also exhibited internationally at the Guan Shenyue Museum in Shenzhen, China, and at the Artbox Project in Zurich, Switzerland. Ms. Diaz is a published artist as well, where her work was featured in The Knot Magazine, Inspire, Pittsburgh's City Paper, and on several billboards across Atlanta through Art Pop Street Gallery. Ms. Diaz has also spent the last nine years working in the film and television industry. Her work can be seen in the productions The House with a Clock in Its Walls; Where’d You Go, Bernadette?; Ms. Marvel; and others. In 2022, Ms. Diaz was featured in a Coca-Cola/Black Panther: Wakanda Forever promotional video and website discussing her origin story as an artist and about her experience working on the film. Alicia Diaz's artistic drive is to inspire young artists, bring art to a diversity of people in every community through film and public art, enrich their lives, and strengthen the creativity that is within everyone.
Scenic Artist:
2018 The House with a Clock in Its Walls
2021 Cosmic Sin
Sculptor:
2018 The House with a Clock in Its Walls
2021 Cosmic Sin
2024 A Family Affair
???? The Electric State
Third Assistant Director:
2018 The House with a Clock in Its Walls
2021 Cosmic Sin
2023 Awareness
2024 A Family Affair
???? The Electric State
Assistant Director:
2020 Néboa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.