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Jason Michael Morgan (b. 1999)

Born:
April 3, 1999

Biography from TheMovieDB

Jason Michael Morgan is an artist and creative visionary from West Virginia, dedicated to crafting meaningful and impactful works across film, stage, and music. As a producer, playwright and storyteller, his narratives explore themes of transformation, the human experience, and stories that resonate deeply through a blend of creative innovation and collaboration.  Jason's creative ventures include his first feature film, Wake Up Dorothy (2021), an original Appalachian musical, and the upcoming TV miniseries Identity Session (2025). His stage productions include the coal country ballad Snake Holler (2023) and a fresh adaptation of Little Women (2024). Jason has also directed music videos for Render the Hearts and Kristin Hope, showcasing his ability to create visually and emotionally compelling content.  A 2021 graduate of Marshall University, Jason contributed to the university's 50th Fountain Ceremony memorial film, Let My Love Be Heard, honoring the victims of the 1970 plane crash. Since 2021, Jason has served as Media Director for APC Ministries, spearheading creative and media efforts for its mission of prayer, revival, and discipleship.  Through his work, Jason is dedicated to empowering independent voices and fostering collaboration in the creative process. His commitment to innovation and authenticity ensures his stories leave a lasting impact on audiences and collaborators alike.

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Additional information:

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Film Production

Director:
2021  Wake Up Dorothy
2023  Aquarium

Lyricist:
2021  Wake Up Dorothy
2023  Aquarium

Music:
2021  Wake Up Dorothy
2023  Aquarium

Producer:
2021  Exodus 23:20
2021  Wake Up Dorothy
2023  Aquarium

Script Supervisor:
2021  Exodus 23:20
2021  Wake Up Dorothy
2022  Fin de Partie
2023  Aquarium

Writer:
2021  Exodus 23:20
2021  Wake Up Dorothy
2022  Fin de Partie
2023  Aquarium

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.