A work in constant progress (and occasional regress).
Growing up in Southern California, Taylor Harris has gathered an immense passion for filmmaking and the art of cinematography. A commercial and narrative cinematographer himself within the automotive world, he uses his extensive background to push the limits of what is possible — having nearly a decade of production experience combined with a vast knowledge of camera tech. Taylor has worked with automotive companies such as MotorTrend, Discovery, Mind Over Eye, Porsche, Mclaren, Mercedes, Lamborghini, Ferrari, Nissan, Hyundai, Subaru, Honda, KIA, and Toyota. He is also a gimbal operator that specializes in AntigravityCam, remote heads, Black Arm, Ronin 2, Movi Pro, and drone camera operation.
Cinematography:
2020 Give Me Beauty
Director:
2020 Give Me Beauty
Editor:
2020 Give Me Beauty
Producer:
2020 Give Me Beauty
Writer:
2020 Give Me Beauty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.