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Adam Conversano

Biography from TheMovieDB

Adam Conversano (He/They) is a filmmaker from Concord, North Carolina, now based in Brooklyn, NY. He is an alumnus of the University of North Carolina School of the Arts for Filmmaking and the South Carolina Governor's School for the Arts and Humanities for Visual Art. His films have screened at the Hollyshorts Film Festival, Middlebury New Filmmakers Festival, Bolton International Film Festival, Davey Fest, NFFTY, Fantasia Film Festival, and Film Diary NYC. His work has been distributed online by Filmmaker Magazine, Vimeo Staff Picks, NoBudge, and Short of the Week. He is a recipient of the 2021 National Davey Grant for Emerging Filmmakers, In 2023 he was featured in Brooklyn Magazine's "50 Most Fascinating People in Brooklyn".

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Film Production

Assistant Editor:
2022  Homicide Hunter: Never Give Up
2023  Homicide Hunter: The Man with No Face

Director:
2020  The Procession
2022  Homicide Hunter: Never Give Up
2023  Homicide Hunter: The Man with No Face
2024  Summer's End

Editor:
2020  The Procession
2021  Father, Can't You See I'm Burning?
2022  Homicide Hunter: Never Give Up
2022  We Want Faces So Bad
2023  Homicide Hunter: The Man with No Face
2024  Summer's End
2025  The Making of Summer's End | A Queer Film in the Heart of a Southern Fantasyland

Producer:
2020  The Procession
2021  Father, Can't You See I'm Burning?
2022  Homicide Hunter: Never Give Up
2022  We Want Faces So Bad
2023  Homicide Hunter: The Man with No Face
2024  Summer's End
2025  The Making of Summer's End | A Queer Film in the Heart of a Southern Fantasyland

Writer:
2020  The Procession
2021  Father, Can't You See I'm Burning?
2022  Homicide Hunter: Never Give Up
2022  We Want Faces So Bad
2023  Homicide Hunter: The Man with No Face
2024  Summer's End
2025  The Making of Summer's End | A Queer Film in the Heart of a Southern Fantasyland

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.