Rafael Álvarez

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Boom Operator:
2008  Summer Runners
2012  Mean and Lean Cows
2013  Darwin's Corner
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound:
2008  Summer Runners
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2018  Freedom is a Big Word
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound Director:
1997  Carnaval in Baltasar Brum
2008  Growing Old Living
2008  Summer Runners
2008  The Imaginary Line
2008  The Us of Back Then
2010  From the Waters
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2014  Avant
2018  Freedom is a Big Word
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound Editor:
1997  Carnaval in Baltasar Brum
2008  Growing Old Living
2008  Summer Runners
2008  The Imaginary Line
2008  The Us of Back Then
2010  From the Waters
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2014  Avant
2018  Freedom is a Big Word
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound Effects:
1997  Carnaval in Baltasar Brum
2008  Growing Old Living
2008  Summer Runners
2008  The Imaginary Line
2008  The Us of Back Then
2010  From the Waters
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2014  Avant
2015  Anina
2018  Freedom is a Big Word
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound Mixer:
1997  Carnaval in Baltasar Brum
2008  Growing Old Living
2008  Summer Runners
2008  The Imaginary Line
2008  The Us of Back Then
2010  From the Waters
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2014  Avant
2015  Anina
2018  Freedom is a Big Word
2019  Belmonte
2019  Roads in February
2023  The Girl from Uruguay

Sound Recordist:
1997  Carnaval in Baltasar Brum
2008  Growing Old Living
2008  Summer Runners
2008  The Imaginary Line
2008  The Us of Back Then
2010  From the Waters
2012  A Bullet for Che
2012  Mean and Lean Cows
2012  The Bella Vista
2013  Darwin's Corner
2014  Avant
2015  Anina
2015  The New Man
2016  Dolphins Go East
2018  Freedom is a Big Word
2018  Loveling
2019  Belmonte
2019  Roads in February
2023  Gurisitos
2023  The Girl from Uruguay

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.