Boram Kang

Birthplace:
Jeonju, South Korea

Boram began her career in the coffee industry, working her way up from barista to manager at Coffee Harbor, a small coffee chain in South Korea. Eventually, she was promoted to work at company headquarters, rising up in the ranks until becoming the head of operations at the young age of 27. Unhappy with her nine-to-five job and with a portfolio of art projects she accumulated in her spare time, Boram moved on to work as a graphic designer at Emu Art Center in Seoul where she was eventually promoted to gallery curator. In 2016, she worked as a production coordinator for two post-production houses based in Seoul, eventually moving on to produce projects of her own. Since 2017, her films, including Pepper (2018) and Georgia (2020) have garnered much acclaim at many film festivals including Busan and Jeonju as well as receiving several grants from prominent organizations like the Korean Film Council. In her spare time, she enjoys painting dogs and cats at her local animal shelter where she frequently volunteers. @thisisboram

Additional information:

The Search Form


Executive Producer:
2021  The Housewife

Producer:
2018  Pepper
2021  Georgia
2021  The Housewife

Unit Production Manager:
2018  Pepper
2021  Georgia
2021  The Housewife

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.