A work in constant progress (and occasional regress).
Alias:
Bo Dash
Robert Flanagan (AJAX) is a filmmaker and visual artist. He has been making movies since childhood, starting with claymation in Super-8, continuing with feature films in 16mm and documentaries on video. In 1990 Robert founded AJAX FILMS in New York City and has been working in Central America since 2000. All of his films and paintings are guided by his personal vision. Flanagan’s films have been shown throughout the USA and internationally.
Cinematography:
2019 Pink Hill
Director:
2005 BIRD IN THE SKY
2014 Maximón: Devil or Saint
2019 Pink Hill
2020 La Charada Teatro - Puppeteers in Guatemala
2022 4 O'Clock
Director of Photography:
2005 BIRD IN THE SKY
2014 Maximón: Devil or Saint
2019 Pink Hill
2020 La Charada Teatro - Puppeteers in Guatemala
2022 4 O'Clock
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.