Home

Helen Marsh

Biography from TheMovieDB

Helen Marsh is a festival-showcased and produced screenwriter with a love for the dark and uncanny. She grew up on the largest yak farm in Canada with a slaughterhouse in her backyard and a typewriter on her desk. Attending Vancouver Film School in 2018, she wrote her first feature screenplay, Alice Through the Microscope, which placed as a finalist at the Vancouver International Women in Film Festival in 2019. She then went on to get her Masters of English at the University of Northern British Columbia.  Since graduating, Helen has been writing thrillers and romcoms, with produced titles including His Deadly Affair, Obsessed with the Babysitter and Blue Moon Ball. She is currently head of development for Enlighten Content and an Executive Producer on reality TV show @Home with Tori.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Associate Producer:
2021  Be Mine
2021  Blue Moon Ball

Screenplay:
2021  Be Mine
2021  Blue Moon Ball
2021  Obsessed with the Babysitter
2024  Festival of the Living Dead

Writer:
2019  His Deadly Affair
2021  Be Mine
2021  Blue Moon Ball
2021  Flowers & Honey
2021  Obsessed with the Babysitter
2023  Deadly Midwife
2023  Secret Society of Lies
2024  A Stranger's Child
2024  Deadly Invitations
2024  Festival of the Living Dead

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.