Shicong Zhu

Birthplace:
Beijing, China

Shicong Zhu is a filmmaker based in Los Angeles and Beijing. Born and raised in Beijing, Shicong came to America to pursue a college degree in California. After working as a fine art photographer for five years and having obtained a Bachelor's Degree in Psychology, she attended USC School of Cinematic Arts and received her M.F.A. degree in Film & Television Production.  During her time in the film school, Shicong made a music video and several short films featuring a magical realism style, centering the feminine universal experience and human condition. "My Personal Ghost Story," a film focused on the inner life of a domestic violence survivor, was officially selected by Los Angeles Script and Film Festival and Horror Hotel Film Festival. "Anchor Baby," following a day in the life of a pregnant illegal immigrant working in a LA nail salon, received the honor of official selection by Beverly Hills International Film Festival, and screened at TCL Chinese Theater.  She went back to China and shot her thesis film "Snake Trail" and recently wrapped up post-production work. She has another short film in production at the moment called "The Perfect Human," focused on exploring facial dysmorphia as a psychological condition in young women and how that affects their love life.  She is also an honoree and recipient of the 2020 Alfred P. Sloan Foundation Grant. Working with the foundation, she is sponsored to direct her original narrative script centering A.I. and machine learning technology, exploring its ethical implications as well as emotional impact on people.

Additional information:

The Search Form


Assistant Director:
2017  One Last Taste

Director:
2017  One Last Taste
2020  Snake Trail
2022  de closin night

Editor:
2017  One Last Taste
2018  On the Clock
2020  Snake Trail
2022  de closin night

Producer:
2017  One Last Taste
2018  On the Clock
2019  Lessons
2020  Snake Trail
2022  de closin night

Script Supervisor:
2017  One Last Taste
2018  On the Clock
2019  Lessons
2020  Snake Trail
2022  de closin night

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.