Delizia Flaccavento

Delizia Flaccavento is a documentary photographer and photojournalist whose work focuses on social issues and ethnic minorities. After graduating in Philosophy in her native Italy, Delizia studied Photojournalism in England, where she attended the National Council for the Training of Journalists (NCTJ) Press Photography program, and in the USA, where she earned a Master’s Degree from the School of Visual Communication, Scripps College of Communication, at Ohio University. Delizia’s projects have been published and exhibited internationally. Her work on ethnic minorities includes projects on the Italian Americans, on the Italian Australians and on the Meskhetian Turks. In Turkey, among other things, she has documented the Iraqi refugees stranded in Istanbul, the refugees trying to reach the Greek islands from the Turkish coasts, the Istanbul Leprosy Hospital and the growth of disabled sport.

Additional information:

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Cinematography:
2019  Ovacik

Producer:
2011  Girls of Hope
2019  Ovacik

Sound:
2011  Girls of Hope
2019  Ovacik

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.