A work in constant progress (and occasional regress).
Birthplace:
Las Vegas, Nevada, USA
Tragic singer, horrible dancer and surreal raconteur, the hysterically funny Dina Martina debuted at Seattle’s Center on Contemporary Art in 1989, instantly gleaning reviews that dubbed her “magically warped”, “hilariously unfortunate” and “utter genius”. Since then, she’s packed venues in New York, Los Angeles, London, Toronto and San Francisco and shared the bill with a wide array of acts such as Margaret Cho, Alan Cumming, Chita Rivera, and Nina Hagen. Absolutely packed with ludicrous song, horrifying stories and overburdened costumes, Dina Martina’s shows are impossible to adequately describe, other than that they’ve become synonymous with jaw-dropping pathos and mind-blowing comedy. Dina Martina has been hailed as “divinely funny” (Time Out London), “painfully funny and demented” (Seattle Times) and “the most original drag performer working in America today” (Village Voice). What a Dina Martina show is, quite simply put, is a smart and hilarious evening of entertainment that you will never forget. Dina Martina’s shows in the U.S. and abroad have wowed the likes of John Waters, Bette Midler, Graham Norton, Kim Gordon, Whoopi Goldberg, Matt Stone, Jennifer Coolidge, and many others. Martina has received The Stranger’s Genius Award for Theater, three Seattle Times Footlight Awards, as well as nominations for the Alpert Award in Theater, a SPIT Award for Best Solo Show, and two GLAAD Media Awards for Outstanding Off-Off Broadway Theater. She did not win those.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.