A work in constant progress (and occasional regress).
Born:
May 19, 1999
Willow Rissler (born May 19,1999) is an American director and writer. She's unknown for directing and writing Burger Boy (2020), and working sound on Tomorrow Is Yesterday (2020). She's currently working on Malevolent Specter set to film in 2025.
Assistant Director:
???? Apostle of Sorrow
Director:
2020 Burger Boy
???? Apostle of Sorrow
Gaffer:
2020 Burger Boy
???? Apostle of Sorrow
???? Bright Eyes and Steady Hands
Producer:
2020 Burger Boy
???? Apostle of Sorrow
???? Bright Eyes and Steady Hands
???? Stench
Screenplay:
2020 Burger Boy
???? Apostle of Sorrow
???? Bright Eyes and Steady Hands
???? Stench
Sound:
2020 Burger Boy
2020 Tomorrow Is Yesterday
???? Apostle of Sorrow
???? Bright Eyes and Steady Hands
???? Stench
Writer:
2020 Burger Boy
2020 Tomorrow Is Yesterday
???? Apostle of Sorrow
???? Bright Eyes and Steady Hands
???? Stench
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.