Elizabeth Bey

Alias:
Elizabeth Bender

Elizabeth "Beth" Bey, formerly Elizabeth Bender is a highly trained Freelance Make-Up Artist local to Tulsa, OK and expat to Orlando, FL. Elizabeth began her profession in 2002 after completing her BA in Musical Theatre from the University of Tulsa. Elizabeth then obtained a certification in Beauty and Special effects Make-Up for Film and Television Make-Up from Joe Blasco Professional School of Make-Up in Orlando, FL. Elizabeth is a current member of IATSE local 484.  Elizabeth has worked on many Feature and Short Films, Television Shoots, Commercials, Music Videos and Theatrical Events. Some of her works and clients include, Aerosmith's video Baby Please Don't Go, National Lampoon's Robodoc, The Orlando Opera, EB Games, iVillage Live, The Disney Channel, Fox Evening News, EA Sports, CBS Morning Show, NFL, NCAA Division Two Sports, CNBC Dayside, PBS and many others. Specializing in Prosthetic Make-Up, Elizabeth continues her work as a Special Effects Make-Up Artist, contracted as an employee for Universal Studios and as a Prosthetic Make-Up Lab Technician and operator of Psycho Path Laboratory, Tulsa's only prosthetic make-up lab. Although Elizabeth is exceedingly up to date on the latest beauty products and trends, she is also vastly proficient and knowledgeable of Platinum Cure Silicones, silicone prosthetics, resins, gypsums and many other lab materials.  With over 17 years of professional experience, Elizabeth's has honed her skills include straight make-up, HD make-up, airbrush make-up, sculpting, moulding, casting and more.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.