Nat Hill

Gallery Unavailable

Alias:
Nathanial Hil
Nathaniel Hill

Additional information:

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Camera Operator:
2010  Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014  Robbie Williams - Live in Tallinn
2017  The Who: Live at the Isle of Wight 2004 Festival
2019  You Only Live Once: Die Toten Hosen on Tour

Director:
2010  Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014  Robbie Williams - Live in Tallinn
2017  The Who: Live at the Isle of Wight 2004 Festival
2019  You Only Live Once: Die Toten Hosen on Tour
2021  Catherine Bohart: Immaculate
2021  Desiree Burch: Unf*ckable
2021  Jessica Fostekew: Hench
2021  Sarah Keyworth: Dark Horse
2021  Sindhu Vee: Sandhog
2021  Stand Up With Janine Harouni (Please Remain Seated)
2022  Alfie Brown: Sensitive Man
2022  Anuvab Pal: The Empire
2022  Felicity Ward: Busting A Nut
2022  Mark Watson: This Can't Be It
2022  Michael Odewale: #blackbearsmatter
2022  Natalie Palamides: Laid
2022  Olga Koch: Homecoming
2022  Suzi Ruffell: Dance Like Everyone's Watching
????  Kai Samra: Underclass

Director of Photography:
2010  Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014  Robbie Williams - Live in Tallinn
2016  Don't Hang Up
2017  The Who: Live at the Isle of Wight 2004 Festival
2018  After the Screaming Stops
2019  Bill Burr: Paper Tiger
2019  You Only Live Once: Die Toten Hosen on Tour
2021  Catherine Bohart: Immaculate
2021  Desiree Burch: Unf*ckable
2021  Gorillaz | Song Machine Live From Kong
2021  Jessica Fostekew: Hench
2021  Sarah Keyworth: Dark Horse
2021  Sindhu Vee: Sandhog
2021  Stand Up With Janine Harouni (Please Remain Seated)
2022  Alfie Brown: Sensitive Man
2022  Anuvab Pal: The Empire
2022  Felicity Ward: Busting A Nut
2022  Joe Lycett: More, More, More! How Do You Lycett? How Do You Lycett?
2022  Little Mix: The Last Show (For Now...)
2022  Mark Watson: This Can't Be It
2022  Michael Odewale: #blackbearsmatter
2022  Natalie Palamides: Laid
2022  Olga Koch: Homecoming
2022  Suzi Ruffell: Dance Like Everyone's Watching
????  Kai Samra: Underclass

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.