Gustavo Aguiar (b. 1999)

Birthplace:
Minas Gerais, Brazil

Born:
July 15, 1999

Gustavo Aguiar is passionate about genre cinema, particularly horror. As a director and actor, he has built a diverse portfolio, including short films, music videos, and other projects. Despite working with modest budgets, his work has achieved success at national and international festivals.

Additional information:

The Search Form


Assistant Director:
2023  Edom

Cinematography:
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man

Director:
2020  Not Me Here
2021  Not Myself Today
2021  Out There
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Red Hood

Editor:
2020  Memória
2020  Not Me Here
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Red Hood

Producer:
2020  Memória
2020  Not Me Here
2021  Late Frequency
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Breeze That Brought You
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Maputo
2024  Red Hood

Sound:
2020  Memória
2020  Not Me Here
2021  Late Frequency
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Breeze That Brought You
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Maputo
2024  Red Hood

Sound Mixer:
2020  Memória
2020  Not Me Here
2021  Late Frequency
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Breeze That Brought You
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Maputo
2024  Red Hood

Visual Effects:
2020  Memória
2020  Not Me Here
2021  Late Frequency
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Breeze That Brought You
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Maputo
2024  Red Hood

Writer:
2020  Memória
2020  Not Me Here
2021  Late Frequency
2021  Not Myself Today
2021  Out There
2021  Past Tense
2021  Unbridled Blaze
2022  The Breeze That Brought You
2022  The Most Boring Place on Earth
2023  Dream Inn
2023  Edom
2024  Dream Inn: The Faceless Man
2024  Maputo
2024  Red Hood

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.