Kelly Rebar

Playwright, born 1956 in Lethbridge Alberta, and grew up in Calgary, where her first play, Chatters was produced in 1974 at Factory Theatre West. She graduated from York University in Film Studies in 1978, and returned to Alberta to write Checkin’ Out, commissioned by Northern Light Theatre, produced in 1981. It subsequently played across Western Canada.  She is best known for Bordertown Café which was commissioned by Blyth Festival and premiered there in 1987. Set in a café on the Canadian side of the Alberta/Montana border, it features a hybrid American/Canadian family whose members are torn between their unrealized hopes and dreams and family loyalties. The teenage son finally opts to stay in Alberta with his struggling young single mother, to help his Canadian grandfather harvest the wheat, instead of joining his freewheeling truckdriving father in the US. It won the 1990 CAA for Drama, and was made into a feature film by Cinexus/Famous Players, directed by Norma Bailey from a screenplay by Rebar, who received a Genie Award nomination for Best Adapted Screenplay. Bordertown Café has been widely produced in its revised version in theatres across Canada, including Theatre New Brunswick, Centaur Theatre, Grand Theatre, London, Prairie Theatre Exchange, Globe Theatre, Theatre Calgary, Arts Club Theatre, Belfry Theatre (2009) and again at the Blyth Festival with a new cast in 2010. It is published by Talonbooks.  Rebar’s other plays include Cornflower Blue (Memories From A Prairie Childhood), commissioned by the Blyth Theatre Festival and toured throughout Ontario and Manitoba. First Snowfall was written when Rebar was playwright in residence at Alberta Theatre Projects and was produced by Theatre Network. Her plays are notable for their colloquial dialogue, and voluble characters.  Rebar also writes for television and film, including the television series Wind at My Back and Jake and the Kid. She has adapted several of Alice Munro’s short stories, including the television feature based on Lives of Girls and Women (1994).

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Writer:
1995  Jake and The Kid

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.