Eduardo Mendoza (b. 1943)

Birthplace:
Barcelona, Cataluña, Spain

Born:
January 11, 1943

Eduardo Mendoza Garriga (born 11 January 1943 in Barcelona, Spain) is a Spanish novelist.  Garriga studied law in the first half of the 1960s and lived in New York City between 1973 and 1982, working as interpreter for the United Nations, and then tried to become a lawyer and then he realized that he wanted to be a writer. He maintained an intense relationship with novelists Juan Benet and Juan García Hortelano, poet Pere Gimferrer and writer (and neighbour) Félix de Azúa. He currently lives in London.  In 1975, Garriga published his very successful first novel, La Verdad sobre el Caso Savolta (The Truth About the Savolta Case), where he shows his ability to use different resources and styles. The novel is considered a precursor to the social change in the Spanish post-Franco society and the first novel of the transition to democracy. He describes the union fights at the beginning of the 20th century, showing the social, cultural and economic conditions of workers in Barcelona by that time. A year later he was awarded the Critics Prize. His most acclaimed novel is probably La Ciudad de los Prodigios (The City of Marvels, 1986), about the social and urban evolution of Barcelona between the Universal Expositions of 1888 and 1929. It was film adapted by Mario Camus in 1999. In 1992, he published the novel, El Año del Diluvio (The Year of the Flood), which tells of the inner conflicts faced by Sister Consuelo after she meets and falls in love with Augusto Aixelâ, with very evocative descriptions of the post-civil war prevailing deprivations in Spain by that time. In 1996, he published his third major Barcelona-related novel, this time set in the 1940s, Una Comedia Ligera (A Light Comedy).  Also within Mendoza's work stands the saga of the mad detective, a peculiar character, a nameless accidental-detective locked up in a mental hospital. The first of these novels, El Misterio de la Cripta Embrujada (The Mystery of the Enchanted Crypt, 1979) is a parody with hilarious moments mixing hard-boiled genre with Gothic narrative. In the second novel of the saga, El Laberinto de las Aceitunas (The Olive Labyrinth, 1982), Mendoza confirms his talent as parodist; the novel stands as one of his most successful works. The third novel of the saga, La Aventura del Tocador de Señoras (The Adventure of the Ladies' Dressing Table), and the fourth one, El Enredo de la Bolsa y la Vida (The Money and the Life Muddle), were published in 2001 and 2012, respectively. The 5th novel was released in 2015 under the title of El Secreto de la Modelo Extraviada (The Secret of the Missing Model) with great success.  The Spanish newspaper El País published two of his novels in instalments, Sin Noticias de Gurb (No Word from Gurb, 1990) and El Último Trayecto de Horacio Dos (The Last Journey of Horatio Dos, 2001), both of them science fiction comedy novels.  In 1993 appeared his first play, Restauració (Restoration), written in Catalan and later translated into Spanish by Mendoza himself. This first theatrical piece was followed by two other titles that the three of them were published together in 2017. ...  Source: Article "Eduardo Mendoza Garriga" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.