Jamie Bailey

Birthplace:
Canada

Jamie's recent project is his second feature film "Deinfluencer" which he Wrote, Directed and Edited. The project was produced by Black Mandala Films and was released in 2022. Jamie 's first feature was “This Was America”. The film is now streaming on Amazon Prime around the world. He created, produced and directed the business talk show “The Next Biggest Winner”. The show aired nationally across Canadian Television for two seasons in primetime (30 x 46 episodes) on Ichannel. His feature documentaries entitled "Blank Slate" and “Firestarter” were released in 2020 & 2019 on national broadcast television and on Amazon Prime. Jamie is also the co-producer and director of photography on a number of series including "Age of the Living Dead" season 2 (on FXX and Amazon Prime), “Killing the Cure” (30 x 7 episodes) and “ELE”. “ELE” is a ground breaking 6 part x 1 hour sci-fi thriller. Each episode was shot in one take without any digital stitching. For over a decade he has worked on his original TV & Film concepts in partnership with Dystopian Films, Breakthrough Entertainment, Gala Films, Tricon Films and Buck Productions. In addition to television and film production, Jamie also creates numerous television commercials and corporate videos for many clients. He was previously the co-founder and president of Metaphoria Productions Inc.; a Toronto based commercial and television production company. Earlier in his career, Jamie was the founder and president of Fresh Productions Inc., which he started in Halifax, Nova Scotia in 2003. The company produced print, radio and TV commercials for clients such as Holiday Inn, Rogers and the Canadian Breast Cancer foundation.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.