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Philipp Lothar Mayring (1879-1948)

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Alias:
Anton Lothar Philipp August Mayring
Philip Lothar Mayring

Birthplace:
Würzburg, Germany

Born:
September 19, 1879

Died:
July 6, 1948

Additional information:

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Film Performances

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Film Production

Adaptation:
1933  The Oil Sharks

Director:
1921  Fremdenlegionär Kirsch
1930  The Stolen Face
1931  The Battle of Bademuende
1931  The Lost Paradise
1933  The Oil Sharks
1933  Wie werde ich energisch?
1934  Erstens kommt es anders
1939  Alarm auf Station III
1941  Blutsbrüderschaft
1942  Fünftausend Mark Belohnung
1944  Ein schöner Tag
1945  Wir sehn uns wieder
1949  Münchnerinnen

Screenplay:
1921  Fremdenlegionär Kirsch
1930  The Stolen Face
1931  The Battle of Bademuende
1931  The Lost Paradise
1932  A Mad Idea
1933  A Certain Mr. Gran
1933  The Oil Sharks
1933  Wie werde ich energisch?
1934  A Man Wants to Get to Germany
1934  Die Freundin eines großen Mannes
1934  Erstens kommt es anders
1935  Jonny, haute-couture
1935  Last Stop
1935  The Girl from the Marsh Croft
1935  Un homme de trop à bord
1936  Die Julika
1938  Andalusische Nächte
1939  Alarm auf Station III
1939  Flucht ins Dunkel
1941  Blutsbrüderschaft
1942  Fünftausend Mark Belohnung
1942  Himmelhunde
1944  Ein schöner Tag
1945  Wir sehn uns wieder
1949  Münchnerinnen

Story:
1921  Fremdenlegionär Kirsch
1930  The Stolen Face
1931  The Battle of Bademuende
1931  The Lost Paradise
1932  A Mad Idea
1933  A Certain Mr. Gran
1933  The Oil Sharks
1933  Wie werde ich energisch?
1934  A Man Wants to Get to Germany
1934  Die Freundin eines großen Mannes
1934  Erstens kommt es anders
1935  Jonny, haute-couture
1935  Last Stop
1935  The Girl from the Marsh Croft
1935  Un homme de trop à bord
1936  Die Julika
1938  Andalusische Nächte
1939  Alarm auf Station III
1939  Flucht ins Dunkel
1940  The Three Codonas
1941  Blutsbrüderschaft
1942  Fünftausend Mark Belohnung
1942  Himmelhunde
1944  Ein schöner Tag
1945  Wir sehn uns wieder
1949  Münchnerinnen

Writer:
1921  Fremdenlegionär Kirsch
1930  Love's Carnival
1930  The Stolen Face
1931  The Battle of Bademuende
1931  The Lost Paradise
1932  A Mad Idea
1932  My Wife as a Businessman
1932  Strich durch die Rechnung
1932  The Black Hussar
1932  The White Demon
1932  Wenn die Liebe Mode macht
1933  A Certain Mr. Gran
1933  The Oil Sharks
1933  Un certain monsieur Grant
1933  Une idée folle
1933  Unsichtbare Gegner
1933  Wie werde ich energisch?
1934  A Man Wants to Get to Germany
1934  Die Freundin eines großen Mannes
1934  Erstens kommt es anders
1934  Schloß Hubertus
1934  Tambour battant
1935  Jonny, haute-couture
1935  Last Stop
1935  Le Miroir aux alouettes
1935  The Girl from the Marsh Croft
1935  The Higher Command
1935  Un homme de trop à bord
1936  Die Julika
1937  Tango Notturno
1937  Und du mein Schatz fährst mit
1938  Andalusische Nächte
1938  Carmen la de Triana
1938  Die Nacht der Entscheidung
1938  Die fromme Lüge
1939  Alarm auf Station III
1939  Flucht ins Dunkel
1940  Donauschiffer
1940  The Three Codonas
1941  Blutsbrüderschaft
1942  Der verkaufte Großvater
1942  Fünftausend Mark Belohnung
1942  Himmelhunde
1944  Ein schöner Tag
1945  Wir sehn uns wieder
1949  Münchnerinnen

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.