Marcos Sanzano (b. 1991)

Birthplace:
Dean Funes, Argentina

Born:
September 23, 1991

Marcos is a photographer and filmmaker born in Dean Funes, Córdoba province, Argentina. Since he was a boy he was passionate about photography, cinema and travel.  He has a degree in film and television and a technical degree as technical producer in audiovisual media, both graduated from the Universidad Nacional de Córdoba.  He was awarded a scholarship to study at the University of Texas in the United States in 2013. There he worked at KLRU TV on the Lone Star Emmy-winning program “Arts in Context” for PBS in the United States. He also studied advanced editing with Christopher Roldan ("The Tree of Life" and "To the Wonder" editor) In 2017 he participated in the film “Rojo” starring Darío Grandinetti, where he worked as a production assistant and taking still photography. He is also part of the photography team for the tele-film “KM674, Voltear Obregón”.  In 2018 and 2019, he moved to New Zealand where he carried out a wide range of work, including audiovisual coverage of cultural events of various kinds. Later he traveled to Southeast Asia where he made a documentary photographic coverage that will be translated into various written stories and chronicles for the New Zealand magazine «Latidos Magazine».  In 2020 he finished his first documentary film “Soñando Martín”, a project that takes five years to register and two to mount and edit. Currently close to its official presentation and exhibition.

Additional information:

The Search Form


Cinematography:
2021  Dreaming Martin

Director:
2021  Dreaming Martin

Editor:
2021  Dreaming Martin

Producer:
2021  Dreaming Martin

Production Assistant:
2018  Rojo
2021  Dreaming Martin

Still Photographer:
2018  Rojo
2021  Dreaming Martin

Writer:
2018  Rojo
2021  Dreaming Martin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.