Ana Otero (b. 1970)

Birthplace:
Donostia, Gipuzkoa, Euskadi, Spain

Born:
May 13, 1970

The actress Ana Otero was born in Valladolid. Completed his secondary education, he enrolled at the school of theatre in Valladolid, where was taken the diploma in dramatic art, which she completed with various courses and workshops, taught by prestigious figures such as Pilar Miro or Bob McAndrew. He has worked both on television and in film and theater, being best known for his work on the small screen. On television, in 1996 participated in the series "all men are equal", giving life to the character of Yoli. This work followed, in 1999, his interpretation of Nuria in "Fellows". In 2005 she was hired to work in the SOAP "Amar en tiempos revueltos", in the role of Paloma Beltran, a businesswoman who was mistress of Fabian. Subsequently, the actress has been participating in other series, such as "Sex issue" or "The mysteries of Laura". ANA has made also some plays, like "Ephemeral love nights", "Those Blue Hills", "Better days" or "Rock 'n' Roll". His debut in the film took place in 1994, with the film "Give me fire", h ctor Carr. Sta followed by, in the year 1996, "Malena is a name of tango", directed by Gerardo Herrero. The rest of his filmography, highlight some feature films as "the love can seriously damage health", "Nobody, a winter's tale", "The voice of his master", "Reflections", "Dead flowers", "a good day have any it" or "The rose of no one". It has also participated in some short films like "Dogs in the rain", "sofa", "Gold" or "Eye tooth". ANA has been nominated twice by the actors Union Award for the best actress, one in 1997 for her role in the series "all men are equal" and the other in the year 2007 for his work on the telenovela "Amar en tiempos revueltos".

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.