A work in constant progress (and occasional regress).
Birthplace:
Belo Horizonte, Minas Gerais, Brazil
Gustavo Koncht is a film director and screenwriter from Minas Gerais, Brazil. He grew up in the city of Contagem and graduated in Cinema and Audiovisual at PUC Minas. His career is mainly focused on independent LGBTQ+ melodrama. His films have been screened at various film festivals around the world and have more than 10 million views on YouTube.
Cinematography:
2021 Not Myself Today
2021 Out There
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
Director:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
Director of Photography:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Editor:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Producer:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Screenplay:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Sound:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2021 You Expire In Five Days
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Writer:
2020 Not Me Here
2020 Seaside
2021 Late Frequency
2021 Not Myself Today
2021 Out There
2021 Past Tense
2021 Unbridled Blaze
2021 You Expire In Five Days
2022 A Love for Christmas
2022 A Secret of Our Own
2022 Love Above All
2022 Over Our Ashes
2022 The Breeze That Brought You
2022 The Most Boring Place on Earth
2023 Dream Inn
2024 Página Três
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.