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Marika Litz

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Biography from TheMovieDB

I grew up in a no-stoplight town in Indiana and moved to New York City to study film at NYU's Tisch School of the Arts. I became a color assistant at Deluxe New York/CO3, an international film and television post house, where I worked on independent and studio features (Pariah, Extremely Loud & Incredibly Close, The Wolf of Wall Street), and episodic television (The Americans, Elementary). After Deluxe I went to Box Studios, a boutique-style post house and advertising agency, where I did color grading for fashion films (Prada, Balmain, Alexander Wang), music videos (Madonna x Steven Klein), and independent features (While We Were Young, Mistress America, Magic in the Moonlight). My current work includes shorts/features (narrative and experimental), commercials for broadcast and web, VR, documentaries, and music videos. One of my favorite aspects of running my own business is being able to have direct communication with all my clients. I believe having easy-to-understand and personable interactions makes working within a technical + artistic environment the most enjoyable for everyone. — M  P.S. I use the gender neutral pronouns: they, them, theirs. Don’t hesitate to ask me about it if you’re unfamiliar. :)

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Additional information:

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Film Production

Colorist:
2018  We Have Always Been on Fire
2020  Cancer is Gay
2020  Joy Run
2020  Pink & Blue
2023  Finding Our Wild
2023  Vibrator Girl
2024  Under False Colors

Dailies Technician:
2013  The Immigrant
2018  We Have Always Been on Fire
2020  Cancer is Gay
2020  Joy Run
2020  Pink & Blue
2023  Finding Our Wild
2023  Vibrator Girl
2024  Under False Colors

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.