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Andy Gould

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Biography from TheMovieDB

Andy Gould has firmly planted his feet in the film world as a producer, and a specialist in film financing. He's produced all of Rob Zombie's films including the controversial and critically acclaimed Lionsgate films House of 1000 Corpses and The Devil's Rejects. Gould also produced Zombie's re-imagining of the horror classic Halloween (2007) for The Weinstein Company, which broke Labor Day box office records. He continued his role as producer on Halloween 2, The Haunted World of El Superbeasto (Zombie's animated feature), and a Butcher Brothers feature, The Violent Kind. Gould and Zombie's 7th feature film, The Lords of Salem, produced in conjunction with Jason Blum and Oren Peli (Insidious, Paranormal Activity franchise), and premiered to critical acclaim at the Toronto International Film Festival 2012. After much speculation and a heated bidding war, Anchor Bay Films emerged as the new home for The Lords of Salem which was released in April of 2013. Gould also has two projects in development, slated for production in 2014. He and Zombie have optioned the rights for the underdog story of the ruthless Philadelphia Flyers hockey team in the 1970s titled The Broad Street Bullies. He's also producing an independent film entitled Scumbag.  From IMDb.

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Film Performances

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Film Production

Executive Producer:
2022  I, Challenger

Producer:
2003  House of 1000 Corpses
2005  The Devil's Rejects
2007  Grindhouse
2007  Halloween
2009  Halloween II
2010  The Violent Kind
2013  The Lords of Salem
2016  31
2022  I, Challenger

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.