A work in constant progress (and occasional regress).
Birthplace:
Barcelona, Spain
Guillermo Cameo is a director of photography based in New York. Born and raised in Barcelona, Spain, Guillermo began studying film and art at an early age. He is a graduate of Autonomous University of Barcelona and University of Salamanca where he double majored in Media/Film. He moved to the United States in 2013 and he works as a director of photography in New York City, specialized in narrative projects
Assistant Camera:
2021 Devil's Five
Camera Operator:
2021 Devil's Five
2022 Chop & Steele
Director of Photography:
2016 The Ex Factor
2018 Americano
2018 The Root of Happiness
2019 A Daughter's Plan to Kill
2020 Esther's Choice
2021 Devil's Five
2022 Chop & Steele
2022 Lie Hard
2022 Transit: A New York City Fairytale
2023 The Foreign Patriot
2024 Before I Go
2024 The Book Signing
2025 Lake George
???? Apophenia
???? Dead Guy
???? Dirty Rhetoric
???? Skyward
???? The Delicate Medium
Gaffer:
2016 The Ex Factor
2018 Americano
2018 Green
2018 The Root of Happiness
2019 A Daughter's Plan to Kill
2020 Esther's Choice
2021 Before I Go
2021 Devil's Five
2022 Chop & Steele
2022 Lie Hard
2022 Transit: A New York City Fairytale
2023 The Foreign Patriot
2024 Before I Go
2024 The Book Signing
2025 Lake George
???? Apophenia
???? Dead Guy
???? Dirty Rhetoric
???? Skyward
???? The Delicate Medium
Thanks:
2016 The Ex Factor
2018 Americano
2018 Green
2018 The Root of Happiness
2019 A Daughter's Plan to Kill
2020 Esther's Choice
2021 Before I Go
2021 Devil's Five
2022 Chop & Steele
2022 Lie Hard
2022 Never Forgotten
2022 Transit: A New York City Fairytale
2023 The Foreign Patriot
2024 Before I Go
2024 The Book Signing
2025 Lake George
???? Apophenia
???? Dead Guy
???? Dirty Rhetoric
???? Skyward
???? The Delicate Medium
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.