A work in constant progress (and occasional regress).
Music:
1985 Caso cerrado
1987 La vida alegre
1990 Indefenso
1990 Letters from Alou
1992 La viuda negra
1992 Makinavaja, el último choriso
1992 Oro en la pared
1993 Everyone Off to Jail
1994 Friendly Dead
1995 Puede ser divertido
1995 The Frontier Law
1999 París-Tombuctú
2001 Clara y Elena
2002 The Other Side of the Bed
Original Music Composer:
1966 El horrible ser nunca visto
1980 Sus años dorados
1985 Caso cerrado
1987 La vida alegre
1990 Indefenso
1990 Letters from Alou
1992 La viuda negra
1992 Makinavaja, el último choriso
1992 Oro en la pared
1993 Everyone Off to Jail
1993 ¡Semos peligrosos! (Uséase Makinavaja 2)
1994 Friendly Dead
1995 La niña de tus sueños
1995 Puede ser divertido
1995 The Frontier Law
1998 The Man with Rain in His Shoes
1999 París-Tombuctú
2001 Clara y Elena
2002 The Other Side of the Bed
2011 Oxígeno para vivir
2019 Malinche's Dream
Sound Recordist:
1966 El horrible ser nunca visto
1980 Sus años dorados
1985 Caso cerrado
1987 La vida alegre
1990 Indefenso
1990 Letters from Alou
1992 La viuda negra
1992 Makinavaja, el último choriso
1992 Oro en la pared
1993 Everyone Off to Jail
1993 ¡Semos peligrosos! (Uséase Makinavaja 2)
1994 Friendly Dead
1995 La niña de tus sueños
1995 Puede ser divertido
1995 The Frontier Law
1998 The Man with Rain in His Shoes
1999 París-Tombuctú
2001 Clara y Elena
2002 The Other Side of the Bed
2011 Oxígeno para vivir
2019 Malinche's Dream
Music:
1990 La mujer de tu vida
Songs:
1990 La mujer de tu vida
1994 Colegio Mayor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.