Bruno Varela

Bruno Varela is an audiovisual artist, researcher and self-taught film and video producer. His works, located mainly in the geographical and conceptual south, have appeared in museums and festivals such as the Guggenheim Museum (New York), Getty Research Institute (Los Angeles), the Carrillo Gil Art Museum (CDMX), the Oberhausen International Short Film Festival (Germany), the Ann Arbor Film Festival (USA), the Morelia International Film Festival and FICUNAM. Varela has received awards such as the e-flux Award of the Oberhausen Festival (2015), the Media Artist award of the Rockefeller Foundation (2006) and the award for best work at the Festival Geografías Suaves (2002), as well as honorable mentions by FICUNAM (2012) and the Biennial of Experimental Video of Mexicali, B.C. (2007, 2012). In 2019 he was a member of the National System of Art Creators (SNCA).

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Director:
2003  Papeles secundarios
2005  Insolación
2008  Conjuro
2012  Ráfaga
2013  A-K-Pulco
2013  Estela
2013  Parque Colosio
2014  Colisión
2015  Fauna Nociva
2015  La transparencia
2015  Tzompantli
2015  Volatilidad
2016  Materia Oscura
2018  Desintegración
2018  Los cuerpos indóciles
2019  Videogramas meridianos 1 (prediccionarias)
2019  Videogramas meridianos 2 (hemisferios)
2019  Videogramas meridianos 3
2020  La imagen no está (buscar imagen con otra imagen)
2020  Neon Cortex
2020  cada vuelta que da una cosa enrollada alrededor de otra
2021  Cristales Neón
2021  Doble estenopo
2021  Motor Cortex
2022  Cuerpos Complementarios
2022  Mexican Erotica
2022  Neon Spores
2022  Objetos blancos
2022  Perturbación y reflejo
2023  El Prototipo
2023  presentes impuros (la luz espesada)
2024  Cuadrado de los tiempos
2024  La máquina del futuro
2024  Trans-apariencia-estéreo-voodoo
2025  Polen Negro
2025  dedonde son loscantantes
????  La ranura en el tiempo

Writer:
2003  Papeles secundarios
2005  Insolación
2008  Conjuro
2012  Ráfaga
2013  A-K-Pulco
2013  Estela
2013  Parque Colosio
2014  Colisión
2015  Fauna Nociva
2015  La transparencia
2015  Tzompantli
2015  Volatilidad
2016  Materia Oscura
2018  Desintegración
2018  Los cuerpos indóciles
2019  Videogramas meridianos 1 (prediccionarias)
2019  Videogramas meridianos 2 (hemisferios)
2019  Videogramas meridianos 3
2020  La imagen no está (buscar imagen con otra imagen)
2020  Neon Cortex
2020  cada vuelta que da una cosa enrollada alrededor de otra
2021  Cristales Neón
2021  Doble estenopo
2021  Motor Cortex
2022  Cuerpos Complementarios
2022  Mexican Erotica
2022  Neon Spores
2022  Objetos blancos
2022  Perturbación y reflejo
2023  El Prototipo
2023  presentes impuros (la luz espesada)
2024  Cuadrado de los tiempos
2024  La máquina del futuro
2024  Trans-apariencia-estéreo-voodoo
2025  Polen Negro
2025  dedonde son loscantantes
????  La ranura en el tiempo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.