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John Raymond Barker

Birthplace:
Texas City - Texas - USA

Biography from TheMovieDB

JOHN RAYMOND BARKER (he/him/his) is a Master of Fine Arts graduate from the University of Houston School of Theatre where a large part of his training included working on new plays and musicals with Stuart Ostrow, Edward Albee, Jerry Bock, and Jerry Sterner. Represented by ATB Talent and a proud member of Actors’ Equity Association, John’s New York theatre credits include several new musicals, including the leads in Avarice & Dumped, Truman Capote in Don’t Go Gently, and Lee Feldman’s Greene. John performed and co-wrote the devised work, Gold Coast, with Stages on the Sound for Metropolitan Playhouse’s Gilded Stage Festival under the guidance of Tectonic Theater Project’s Scott Barrow. Regional theatre credits include Theatre Under The Stars (What Ever Happened to Baby Jane?, Grand Hotel, Funny Girl, Zorro); 5th Avenue Theatre (Grand Hotel); Alley Theatre (Christopher Dudgeon in The Devil’s Disciple, A Flea In Her Ear); Stages Repertory Theatre (Shakespeare’s R&J, The Firebird) John recently made his network television debut guest starring on Law & Order: SVU. Other Internet/Television: HuffPost Live (recurring), A Crime to Remember. Recordings: Show Choir! The Musical Studio Recording, Avarice the Musical Cast Recording, Carols for a Cure Volume 12 with Bernadette Peters and the cast of A Little Night Music, “Vampire Drag Queen”, & Our First Christmas Together.

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Film Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.