Kristina Arjona

Alias:
Kristina Adler
Kristina Adler Arjona

Kristina Adler Arjona directs work that emphasizes womxn, LGBTQIA+, and BIPOC in front and behind the camera. Her experience as a queer Latina and sexual assault survivor motivates her to give voice to underrepresented narratives. Her films have been showcased in festivals such as the Atlanta Film Festival, Sidewalk Film Festival, and Cucalorus Film Festival.  The daughter of immigrants from Colombia and Germany, both sides of Kristina Adler Arjona's family got their US citizenship through the American military. After her father retired and became a medical missionary, Kristina spent much of her childhood traveling the world, and she found storytelling to be the easiest way to connect across cultures. Kristina was raised by the strong German women on her mother’s side, but longed for a deeper connection to her father’s Latino roots. Since reuniting with her immediate family in Colombia, Kristina is overjoyed to reconnect with her Latinx heritage and reclaim the family name of Arjona.  Kristina studied theatre at the Alabama School of Fine Arts. She graduated from Elon University with a BFA in Acting, a BA in Theatrical Design & Production, with specialties in Directing and Scenic Design. She now owns Jump Cut Collective, a production company empowering marginalized voices.

Additional information:

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Assistant Director:
2023  Courtney Gets Possessed

Director:
2020  Max
2021  Rumspringa
2022  Mi Casa
2023  Christmas with Jerks
2023  Courtney Gets Possessed
????  What Friends Are For

Other:
2020  Max
2021  Rumspringa
2022  Mi Casa
2023  Christmas with Jerks
2023  Courtney Gets Possessed
2023  Wait with Me
????  What Friends Are For

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.