A work in constant progress (and occasional regress).
Alias:
Kristina Adler
Kristina Adler Arjona
Kristina Adler Arjona directs work that emphasizes womxn, LGBTQIA+, and BIPOC in front and behind the camera. Her experience as a queer Latina and sexual assault survivor motivates her to give voice to underrepresented narratives. Her films have been showcased in festivals such as the Atlanta Film Festival, Sidewalk Film Festival, and Cucalorus Film Festival. The daughter of immigrants from Colombia and Germany, both sides of Kristina Adler Arjona's family got their US citizenship through the American military. After her father retired and became a medical missionary, Kristina spent much of her childhood traveling the world, and she found storytelling to be the easiest way to connect across cultures. Kristina was raised by the strong German women on her mother’s side, but longed for a deeper connection to her father’s Latino roots. Since reuniting with her immediate family in Colombia, Kristina is overjoyed to reconnect with her Latinx heritage and reclaim the family name of Arjona. Kristina studied theatre at the Alabama School of Fine Arts. She graduated from Elon University with a BFA in Acting, a BA in Theatrical Design & Production, with specialties in Directing and Scenic Design. She now owns Jump Cut Collective, a production company empowering marginalized voices.
Assistant Director:
2023 Courtney Gets Possessed
Director:
2020 Max
2021 Rumspringa
2022 Mi Casa
2023 Christmas with Jerks
2023 Courtney Gets Possessed
???? What Friends Are For
Other:
2020 Max
2021 Rumspringa
2022 Mi Casa
2023 Christmas with Jerks
2023 Courtney Gets Possessed
2023 Wait with Me
???? What Friends Are For
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.