A work in constant progress (and occasional regress).
Alias:
Borzysława Chmielewska
Borzysława Rolińska
Birthplace:
Łódź, Poland
Born:
February 15, 1943
Art Direction:
1975 The End of the Holiday
Assistant Production Design:
1966 Cierpkie głogi
1967 Piękny był pogrzeb, ludzie płakali
1968 Tabliczka marzenia
1970 In Any Weather
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 The Ring of Queen Ann
1974 The Nest
1975 The End of the Holiday
1979 Camera Buff
1983 Daimler-Benz Limousine
1985 The House of Fools
Interior Designer:
1966 Cierpkie głogi
1967 Piękny był pogrzeb, ludzie płakali
1968 Tabliczka marzenia
1970 In Any Weather
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 The Ring of Queen Ann
1974 The Nest
1975 The End of the Holiday
1979 Camera Buff
1981 Short Working Day
1983 Daimler-Benz Limousine
1985 The House of Fools
1988 Powrót do Polski
1990 Zabić na końcu
Production Design:
1966 Cierpkie głogi
1967 Piękny był pogrzeb, ludzie płakali
1968 Tabliczka marzenia
1970 In Any Weather
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 The Ring of Queen Ann
1974 The Nest
1975 The End of the Holiday
1979 Camera Buff
1981 Short Working Day
1983 Daimler-Benz Limousine
1985 The House of Fools
1986 Zátah
1988 Powrót do Polski
1990 Ring
1990 Zabić na końcu
Set Decoration:
1966 Cierpkie głogi
1967 Piękny był pogrzeb, ludzie płakali
1968 Tabliczka marzenia
1970 In Any Weather
1970 The Taste of the Black Earth
1971 A Face of an Angel
1971 The Ring of Queen Ann
1974 The Nest
1975 The End of the Holiday
1979 Camera Buff
1981 Short Working Day
1983 Daimler-Benz Limousine
1984 Nie było słońca tej wiosny
1985 The House of Fools
1986 Zátah
1987 Blind Chance
1988 Powrót do Polski
1990 Ring
1990 Zabić na końcu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.