A work in constant progress (and occasional regress).
Alexis Roche is a Provence-born freelance stylist and brand consultant. Roche studied art and literature before moving to London to pursue a career in fashion. In 2003, Roche relocated to Paris where he was appointed brand and celebrity consultant for Dior and John Galliano. During this period, Roche was heavily involved in Dior’s creative evolution, from the advertising through to concept and catwalk. Since 2014, Roche has worked as a freelance stylist and consultant for Maison Margiela. Roche has collaborated with photographers including Nick Knight, Tim Walker, Steve Meisel, David Sims and Annie Leibovitz. His work as a stylist has been featured in publications such as Vogue Paris, Vanity Fair and DUST.
Art Direction:
2020 S.W.A.L.K
2020 S.W.A.L.K. II
2021 A Folk Horror Tale
2024 Nighthawk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.