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Heehyun Choi

Alias:
Heehyun Choi
최희현

Biography from TheMovieDB

Heehyun Choi is a moving image artist and educator from Seoul, South Korea, whose practice is grounded on the interest in the physicality and virtuality in projected images, the unseen beings outside the camera frame, and the subjectivity and variability of the act of seeing. Choi received her MFA in Film & Video at California Institute of the Arts. Her films have been screened internationally including at 25 FPS Festival, Images Festival, WNDX Festival of Moving Image, Vienna Shorts Film Festival, Berkeley Art Museum & Pacific Film Archive (BAMPFA), and Ann Arbor Film Festival where she received the Mariam Ghani Juror Award. She is the receipient of WNDX x NIMAC Experimental Moving Image Award, AHL Foundation Artist Fellowship, Alison Doerner Fund for Women Pioneers in Filmmaking, and The Lightning Fund by Los Angeles Contemporary Exhibitions and Andy Warhol Foundation for the Visual Arts.

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Additional information:

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Film Performances

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Film Production

Director:
2019  Origami Tutorial
2020  Between The Eyes 2
2020  Birdsaver Report Volume 1
2020  The Blue Curtain
2021  Birdsaver Report Volume 2
2021  Birdsaver Report Volume 2 (버드세이버 보고서 제 2장)
2022  This Isn't What It Appears
2024  Our Cave

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.