A work in constant progress (and occasional regress).
Assistant Production Manager:
1958 Żołnierz królowej Madagaskaru
1959 Polar Bear
1959 Wedding Night
1964 Giuseppe in Warsaw
1965 Banda
1965 Córeczka
1965 Wózek
1966 Bigos
1966 Buty
1966 Lovers from Marona
1966 Nazajutrz po wojnie
1967 Our Folks
1968 Countess Cosel
1970 Landscape After Battle
1970 Olympic Fire
1981 Na melinę
Production Assistant:
1953 Sprawa do załatwienia
1957 Lost Feelings
1958 Żołnierz królowej Madagaskaru
1959 Polar Bear
1959 Wedding Night
1964 Giuseppe in Warsaw
1965 Banda
1965 Córeczka
1965 Wózek
1966 Bigos
1966 Buty
1966 Lovers from Marona
1966 Nazajutrz po wojnie
1967 Our Folks
1968 Countess Cosel
1970 Landscape After Battle
1970 Olympic Fire
1981 Na melinę
Production Manager:
1953 Sprawa do załatwienia
1957 Lost Feelings
1958 Żołnierz królowej Madagaskaru
1959 Polar Bear
1959 Wedding Night
1961 Visit of a President
1962 I ty zostaniesz Indianinem
1964 Giuseppe in Warsaw
1965 Banda
1965 Córeczka
1965 Wózek
1966 Bigos
1966 Buty
1966 Lovers from Marona
1966 Nazajutrz po wojnie
1967 Our Folks
1968 Countess Cosel
1970 Landscape After Battle
1970 Olympic Fire
1981 Na melinę
Unit Manager:
1953 Sprawa do załatwienia
1954 Difficult Love
1954 The Bus Leaves at 6.20
1955 Career
1956 Shadow
1957 Land
1957 Lost Feelings
1958 Żołnierz królowej Madagaskaru
1959 Polar Bear
1959 Wedding Night
1961 Ostrożnie yeti
1961 Visit of a President
1962 I ty zostaniesz Indianinem
1964 Giuseppe in Warsaw
1965 Banda
1965 Córeczka
1965 Wózek
1966 Bigos
1966 Buty
1966 Lovers from Marona
1966 Nazajutrz po wojnie
1967 Our Folks
1968 Countess Cosel
1970 Landscape After Battle
1970 Olympic Fire
1981 Na melinę
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.