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Emory Parker

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Biography from TheMovieDB

Emory is a filmmaker, content creator, and the co-founder of Blue Slate Films, a queer-owned, female-run production company that focuses on sleek, emotionally-driven storytelling, as well as elevating underrepresented voices. After graduating from NYU Tisch School of the Arts, Emory worked as a Production Associate on NBC's Winter Olympic Games, producing and editing several of her own pieces. The team earned a coveted Olympic Golden Rings Award and was nominated for a Sports Emmy®. Emory's work has been featured in TimeOut, The New York Post, Billboard, and in countless festivals worldwide. She is also a proud recipient of the Horizon Award founded by Cassian Elwes (Mudbound, The Butler), Christine Vachon (Carol, Boys Don't Cry), and Lynette Howell Taylor (A Star is Born, Blue Valentine). In 2020, Emory was named a finalist of the Curbside Shorts Film Challenge sponsored by ReFrame, Women in Film LA, and IMDB Pro. Most recently, Emory's COVID-19 inspired PSA finished second in the Governor's #NewYorkTough competition and aired as an official ad for New York State. Emory is currently producing a handful of corporate and creative projects for Blue Slate, while developing her new LGBTQ+ digital series.

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Film Production

Director:
2018  We Don't Hold Hands
2020  A Different Kind of Animal
2020  Coming Home

Editor:
2018  We Don't Hold Hands
2020  A Different Kind of Animal
2020  Coming Home

Producer:
2018  We Don't Hold Hands
2020  A Different Kind of Animal
2020  Coming Home

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.