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Jennet Thomas

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Biography from TheMovieDB

Jennet Thomas is based in London, UK. She makes films, performances and installations exploring connections between the everyday, fantasy and ideology. Her work can look like experimental film, children’s drama or performance art—it's a call for complexity that collides genres, experimenting with collective constructions of meaning. Her work has been shown internationally at festivals such as EMAF, IFF Rotterdam, New York Underground and museums including Tate Britain and MOMA New York. Recent solo exhibitions include: IT ONCE HAD A FACE NOW IT WANTS ONE AGAIN at Xero Klein and Coma, London, Deluge Contemporary Art, Victoria and Mattflix, London; Animal Condensed>>Animal Expanded #2, Tintype, London; Unspeakable Freedom>>Tastes Like Chicken, Block 336, London; The Unspeakable Freedom Device, Utah Museum of Contemporary Art, Utah, Grundy Art Gallery, Blackpool and Matt's Gallery, London.

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Film Production

Animation:
2018  ANIMAL CONDENSED>>ANIMAL EXPANDED#2

Director:
2000  Sharony!
2015  The Unspeakable Freedom Device
2018  ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2021  Not Yet Out of the Wood
2023  The Great Curdling

Editor:
2000  Sharony!
2015  The Unspeakable Freedom Device
2018  ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2021  Not Yet Out of the Wood
2023  The Great Curdling

Producer:
2000  Sharony!
2015  The Unspeakable Freedom Device
2018  ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2021  Not Yet Out of the Wood
2023  The Great Curdling

Writer:
2000  Sharony!
2015  The Unspeakable Freedom Device
2018  ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2021  Not Yet Out of the Wood
2023  The Great Curdling

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.