A work in constant progress (and occasional regress).
Alias:
Martin A. Potter
Birthplace:
Nottingham, Nottinghamshire, England, UK
Born:
October 4, 1944
From Wikipedia, the free encyclopedia. Martin Potter (born 4 October 1944) is a British actor. After the National Youth Theatre and repertory theatre in Guildford and Hampstead, Potter received his first role in British television at the age of 24 in the television drama The Bonegrinder (1968) written by Dennis Potter. In the same year he had another small part alongside Brian Cox in the futuristic drama The Year of the Sex Olympics. One year later Potter's career took off with a much larger role. The Italian director Federico Fellini chose him for the main role of Encolpius in his film Satyricon. Terence Stamp, Fellini's original choice for the main role, was not available, and Fellini was looking for someone of a similar appearance. After this star role, Potter's career tended back to smaller roles again: mostly B-movies and television productions like the film adaptation of W. Somerset Maugham's Olive. Among his more well-known parts are the history film Nicholas and Alexandra (1971) and the film The Big Sleep (with Robert Mitchum as private detective Philip Marlowe). He also appeared in horror films, including Craze with Jack Palance, and television series such as Doctor Who. In 1975 he achieved some popularity with the title part of Robin Hood in a TV mini-series The Legend of Robin Hood. In 1985 he again took a part in a production concerning Ancient Rome: the American mini-series A.D. in which he portrayed the Roman politician and opponent of Nero, Gaius Calpurnius Piso. Description above from the Wikipedia article Martin Potter (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.